“Touch(ed)” at Limassol’s Rialto Theatre is a bold solo performance challenging societal norms about womanhood and art through movement, spoken word, and visual arts. This transgressive experience questions gender biases, monogamy, motherhood, and slut-shaming, pushing the boundaries of acceptability in both art and life.
What is the performance “Touch(ed)” at Limassol Theatre about?
“Touch(ed)” is a bold solo performance at Limassol’s Rialto Theatre that examines the intricacies of womanhood, art, and societal norms. It presents a collage of movement, spoken word, and visual arts to challenge gender biases, the romanticization of monogamy and motherhood, and slut-shaming, offering a transgressive experience that questions the limits of acceptability in art and life.
Unveiling the Facets of Womanhood and Art
A solo performance that delves deep into the personal narratives of gender bias and the cultural expectations surrounding intimacy in life and art is set to grace the stage in Limassol. Physical Plastic’s “Touch(ed)” utilizes autobiographical elements to challenge and satirize societal norms. Scheduled for April 4 at the Rialto Theatre, this performance is not just a mere show but a statement on the complexities of womanhood and the artist’s journey through the traditional constructs of monogamy and motherhood.
Kestrel Farin Leah, the mind and soul behind the performance, takes the audience through her experiences as a married woman and mother. The piece explores the conflict between the artist’s identity and the conventional, often romanticized roles of monogamy and motherhood. It suggests that the societal ideal of a de-sexualized mother-artist is not only elusive but also in direct contrast with the creative and sensual energy that drives artistry and self-expression.
A Collage of Expression
“Touch(ed)” is a rich tapestry woven from a variety of artistic expressions. Movement and spoken word are interlaced with personal anecdotes and echoes of the digital world through social media posts. This blend serves as a powerful vehicle for conveying the message of the performance, where the dynamism of Leah’s storytelling is amplified by the visual and auditory elements that accompany her on stage.
The auditory experience, crafted by Yiannis Christofides, is a compelling mix of electroacoustic soundscapes and experimental vocal processes. Inspired by the song “Gravity” by They/Live, the live score adds a hauntingly beautiful layer to the performance. Complementing the aural components are visual installations by artist Dasha Sur, whose yarn sculptures draw from folkloric imagery of female spirits, further enriching the narrative with symbolic depth.
Confronting Conformity Through Art
By addressing slut-shaming and the dichotomy of single womanhood versus the nuclear family ideal, “Touch(ed)” brings to light the pervasive judgment faced by women in society. The performance questions the limits of acceptability in art and the artist’s role in challenging entrenched norms. It becomes a space where Leah can dissect and scrutinize the expectations placed upon her as a woman, an artist, and a mother, in a society that often seeks to define these roles within narrow margins.
The innovative nature of “Touch(ed)” lies in its ability to serve as a platform for transgressive ideas—those that are challenging to maintain in the quotidien. It does not shy away from confronting the audience with the uncomfortable truths of the artist’s reality, where the mythologized ideals of domestic life clash with the drive for creative and personal fulfillment.
Experience the Unconventional
For anyone in Limassol looking to experience a unique and thought-provoking piece of theater, “Touch(ed)” promises an evening that defies conventional expectations. The performance is a bold exploration of identity and societal constructs, offering a compelling narrative that is as intimate as it is universal. Audiences are invited to witness this groundbreaking show, which is poised to leave an indelible mark on the cultural landscape of the city.
Tickets for this introspective and unapologetic performance can be found directly through the Rialto Theatre’s official website or by contacting the box office. Doors open at 8:30 pm, providing patrons with an opportunity to immerse themselves in an artistic endeavor that challenges, entertains, and enlightens.
What is the performance “Touch(ed)” at Limassol Theatre about?
“Touch(ed)” is a bold solo performance at Limassol’s Rialto Theatre that examines the intricacies of womanhood, art, and societal norms. It presents a collage of movement, spoken word, and visual arts to challenge gender biases, the romanticization of monogamy and motherhood, and slut-shaming, offering a transgressive experience that questions the limits of acceptability in art and life.
Who is the artist behind the performance “Touch(ed)” at Limassol Theatre?
Kestrel Farin Leah is the creative mind and soul behind the performance “Touch(ed)” at Limassol’s Rialto Theatre. Through her autobiographical elements and exploration of societal norms, Leah delves deep into the complexities of womanhood, art, and the roles of monogamy and motherhood.
What artistic expressions are used in “Touch(ed)” at Limassol Theatre?
“Touch(ed)” at Limassol’s Rialto Theatre incorporates a variety of artistic expressions, including movement, spoken word, visual arts, and a compelling electroacoustic soundtrack by Yiannis Christofides. The performance also features visual installations by artist Dasha Sur, enhancing the narrative with symbolic depth.
How does “Touch(ed)” at Limassol Theatre challenge societal norms?
“Touch(ed)” challenges societal norms by addressing issues such as slut-shaming, gender biases, and the expectations placed on women in society. Through a bold and transgressive approach, the performance questions the limits of acceptability in both art and life, inviting audiences to confront and reflect on entrenched norms.
